Monday, June 02, 2008
Archive of Work
Keir Williams
Saturday, September 29, 2007
Been a looooooong time
Wednesday, March 07, 2007
Body and Line
technorati tags:line, body, art, projection, forms, art, CODA, keir, williams, vru
Friday, February 16, 2007
Jam Jah rides again
We got sent this by Jerome from Baroque Dub who took it in Newzeland. Look out for the new Jam Jah Soundsystem Vol. 3 CD which will be featuring these amazing images. Nicely.
Thursday, February 15, 2007
Some Brain Pictures
Here are some photos from the installation Brain Dub. They where taken by the ever amazing Mike Priddy I love the texture created by the displaced grid and the pixles of the projection.
Belfast
Myself and Jonathan have had a joint paper excepted for the Two Thousand + SEVEN electronic arts festival at the Sonic Arts Research Centre, Queens University Belfast. This is part of the Sonorities Festival of Contemporary Music.
This is the paper we submited. We have half and hour and hopefull this will continiue on from the Network Mashup paper we gave at the Ikon in 2006.
Abstract
For performance artists, the development of stable, networked performance environments has relied heavily on the importation of models of the ‘social’ inter-personal communication type. Given that such communication responds to merely an aspect of the needs of artists, in practice this proves to be an imperfect and incomplete tool. In response to the challenge of producing a more rounded environment, the authors, through their work at the Visualisation Research Unit (VRU) at BIAD, have developed Collaborative Online Digital Arts (CODA) as a platform for drawing together networked resources from different disciplines.
The benefits, drawbacks, needs and future possibilities of existing networked performance will be discussed, as well as the omissions and shortcomings of CODA and other real time applications. However, the principle of creating a virtual performance environment has been abandoned for enhancing the traditional physical performance environment.
CODA was developed specifically to facilitate inter-disciplinary communication in multi-disciplinary performances. Central to CODA is the concept of the node. A node can be a computer with a specialist function, a sensor network, a human-computer interface device or even a person. All nodes broadcast media-in-specific data to a virtual data pool from which every node has access. This allows performers to interact with the environment without the necessity of having in-depth knowledge of how the data is being generated. For example, this allows the output from a video analysis node to be easily mapped onto a sound synthesis parameter on another node.
CODA could be thought of as a single ‘super instrument’ with which all performers can interact simultaneously. The technological infrastructure of the instrument is hidden, but the interface is not. Performers do not need to learn how it works, instead only what interactions it understands and what the results of those interactions may be. This methodology improves performer spontaneity considerably and lends itself particularly well to improvisation incorporating different disciplines where ad hoc exploration and experimentation are important.
This suggests that the network is itself the instrument, and leads to a further interesting phenomena. The data produced can be automatically archived and endlessly reformulated after real time presentation.
The paper will be presented with a short demonstration of CODA.
technorati tags:CODA, Network, Mashup, Keir, Jonathan, Williams
Present Tense
Myself and Jonathan have just finished our entry for the WRO 07 electronic arts festival in Poland this year. Below is the synopsis we've made and some images of the piece.
Present Tense: Synopsis
Present Tense installation by Jonathan Green and Keir Williams
Present Tense is an interactive sound and video installation exploring individualism in the immersive and almost anonymous information age.
This visitor-reactive multimedia installation presents its materials in real-time in the form of RSS feeds, audio from an analogue radio and live video feeds of the visitors as they enter the installation. Video generated from these materials is back-projected onto fabric, hung in a circular pattern from the ceiling. This creates a small multimedia ‘chamber’ in which a simple dial is situated on a plinth. Turning the dial allows visitors to scrub back in time (the live content is archived in real-time), viewing previous visitors and recalling text from RSS feeds whilst retuning the radio.
Keir Williams interacting with Present Tense
This deluge of information and the ability to navigate through time contributes to the claustrophobic and personal effect of the chamber, which in turn highlights the minute, yet all-powerful role of the individual in relation to the universal dimension and anonymity in the multiplicity of today’s media. The tension generated by the immediate and localised experience of the recent and global past within the present forms an integral part of installation.
Present Tense projection
Present Tense: Further Information
Additional information is available as PDF files for download
There are also more images are available on Flickr and there is a short movie on YouTube.
Close-up of the controller (jog wheel) for Present Tense
Layout schematic of Present Tense